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By David Mamet
The press release for Alopecia claims that Why? ringleader Yoni Wolf was inspired "as much by MF Doom and Lil' Wayne as J. Newsom and Big Dylan." I don't hear any of that, although the disc recalls the beat weirdness of Beck's Mellow Gold, minus the zeitgeist-capturing spirit and clever allusions. "Jerking off in an art museum john until my dick hurts, the kind of shit I won't admit to my head shrinker," Wolf imparts on "Good Friday." Why tell us, then? That said, the CD boasts a monster leadoff track, "The Vowels Pt. 2," which creeps up on you like a beautiful woman in a dark alley and is perhaps the best tune ever from the Anticon camp. Beatwise, the album includes plenty of simple and often-danceable, winsome melodies. But lyrically, it's a crapshoot. "These Few Presidents" offers both truly touching moments — "And if you're in heaven waiting, you made it there fighting, the tightest kite string in a bad storm with lightning" — and clumsy, revolting jokes: "Even though I haven't seen you in years, yours is a funeral I'd fly to from anywhere." Like Sage Francis, Wolf is a talented musician full of ideas who badly needs to focus on expressing sincere, honest emotion.










Two points I'd like to make in response to this uninformative and uninspired review:
1. I am puzzled as to how the line "Even though I haven't seen you in years/yours is a funeral I'd fly to from anywhere" comes off as a joke, let alone a "clumsy, revolting" one. Listening with even a modicum of sensitivity reveals this line to be a tender and unembellishedly honest expression of the sort of delicately small, yet steadfast dedication a person can express for someone who is lost in their past. This line is, perhaps, the most touching in the entire album.
2. The closing comments of the review, comparing Why? with Sage Francis in regards to a shared lack of honest and sincere expressions of emotion is perhaps the most troubling. Comparing these two artists with the reviewer's glowing reference to Beck's Mellow Gold (which, it could be argued, makes not one attempt at any expression of emotion, sincere or synthetic) I cannot fathom what is meant. Wolf has consistently imbued his lyricism with plaintively honest expressions of emotion (i.e. Yo Yo Bye Bye, Early Whitney, Gemini to name a few). Perhaps the reviewer would prefer the bald, insipid crooning of manufactured Top 40 crooners or the poignant ramblings of their sensitive, dorm-folk counterparts. Wolf's liberated usage of the english language is as abstract as it is effective and, in my opinion, does not suffer from a comparison to Sage Francis' vitriolic and challenging verse. Zeitgeist in spades.
Comment by TRNovak — March 7, 2008 @ 12:25AM
This is not a bad review of a review, actually, and I'm starting to like the album more the more I listen to it. But "Even though I haven't seen you in years/yours is a funeral I'd fly to from anywhere" is a terrible line, any way you look at it.
Comment by Ben Westhoff — March 17, 2008 @ 10:20AM